SAMPLES OF MY MUSIC

Here are samples of my music from all the shows I’ve written and am currently writing. If you’re interested in using one of them for an audition or performance, be sure to send me an email.

"Borderline" (In Development) Music and Lyrics by Benjamin Velez

A musical dramedy about a girl living with Borderline Personality Disorder and struggling for normalcy amidst a revolving door of therapists and more prescriptions than she can count.

“BORDERLINE” - Anna is trying to make sense of a diagnosis that for the first time names something she’s always felt.

“WANNA GO OUT?” - Jesse, a guy Anna meets in the waiting room of her therapist’s office, tries to ask her out.

“CRAZY WONDERFUL” - John reflects on not being able to say goodbye to his late wife before she took her own life.

Click here to listen to more songs from Borderline.

“The Tempest” (Public Works Shakespeare in the Park 2023) Music and Lyrics by Benjamin Velez

The story of Prospero and her daughter Miranda, as she tries to get justice for the dukedom her brother stole from her.

“CAST A SPELL” - Prospero creates a storm to shipwreck those who wronged her.

“A CROWN UPON YOUR HEAD” - Antonio and Alonso conspire to kill the king of Naples.

“LOG MAN” - Prospero realizes her daughter Miranda has fallen in love and that she will have to say goodbye to her.

Click here to listen to more songs from The Tempest.

"Afterland" (In Development)

Set in the woods outside a decimated Philadelphia, this is the story of two teenagers, Theo and Lu, coming of age in the post-apocalypse. 

"Before the End" - Despite Philadelphia being gone and them finding the world different that what was promised to them, they realize having each other and having their family is the light they have to get them through the darkness. 

"Old Country" - Set to a rollicking hoe-down beat, this is myth-making about all the ways the old world ended, sung by the insular group in the woods who’ve vowed to forget the past.  

"Can You See" - Lu challenges Theo to open his mind and try seeing the world around him in a new light.

Click here to listen to more songs from Afterland

“BOOMERANGS” (formerly "STARBLASTERS")

What does it mean to be turning 30 and living with your parents? How can you face the future when you’re buried in student debt, can’t find a steady job, or afford health insurance? Starblasters follows five friends working at their local run-down theme park reckoning with adulthood and a greek chorus of Boomers looming, nagging, and loving them a little too hard.  

"Rig the Game"

Neil and his co-workers find out that the park will indeed be closing. They were already hanging by a thread, barely able to stay afloat even while being home, and now that thread has been cut. Neil tries to vent his frustration by shooting a basket on the nearby arcade game, but misses. He shoots again and misses. The third time he tries to shove the ball into the basket but it’s too big to fit and pops out. He screams. They all feel the injustice and it builds into a savage frenzy.

"Erica Save Me" - After months of passive aggressively avoiding each other, the park’s closing pushes Freddie and Neil to a reconciliation, during which Neil finally learns that all this time, Freddie has been madly in love with Erica. Pining for years from the concessions stand, but unable to tell her, Freddie admits that the best part of her day is watching Erica “save” the audience on the Starblaster ride. 

With time at the park running out, Neil agrees to help Freddie get past being tongue tied around Erica and he has Freddie practice how she is going to finally confess her love.

"Prom Was a Promise" - Neil and Freddie haven't spoken since Prom, but what was all the bad blood about?

Click here to listen to more songs from Starblasters

“KISS MY AZTEC”

A farcical telling of the Spanish attempting to conquer the Aztecs in the New World. Here’s a version of the opening number “White People On Boats” performed for charity by our La Jolla Playhouse cast from the 2019 production.

"YOUNG EINSTEIN" (In Development)

A musical about the young Albert Einstein as he rebels against family and authority, finds love, and struggles against the establishment to change how we understand the universe and ourselves.

“Seriously Serious” - Mileva, Albert, Ensemble

This song follows Mileva, the Serbian girl Albert will marry who has defined herself by being the rare woman in the male-dominated field of physics. We follow her from the moment after she gets her letter of acceptance to the Polytechnic to when she matriculates and first sees Albert, to when she and Albert are dating during their second year. The song is a montage in which we go to different places and skip forward in time.

**Note that I sing both characters, although the song is mostly Mileva. Albert’s section begins with “What a find, What a mind…” and ends after the next set of “Seriously Serious” before the dreamy section.

"MARS ONE"

A private Dutch venture dubbed "Mars One" claims they can beat NASA to sending the first humans to Mars. The hitch? It's a one-way trip backed by questionable technology, and yet 200,000 people have already applied. But who are they?! Who is doing that!?!

Click here for more songs from Mars One

Other Songs

Click here to find more songs. 

"Sirens the Musical"

Adapted from the play by the same name, I have the honor of working with the playwright herself, Debra Zoe Laufer, to adapt her hilariously poignant story into a musical. Loosely based on the myths of Orpheus and Odysseus, the show follows an aging couple struggling to rediscover their passion for life and each other.

The 114th Annual Varsity Show (2007-2008)

The project that convinced me writing for Musical Theater was what I wanted to do for a living, this is Columbia's oldest performing arts tradition in which each year a group of students write/produce/direct/perform an original musical about the school. Take a trip back to college and listen to all the songs!

"The Earth"  |  An 8 Minute Musical (2010)

This was an exciting piece written over the course of three days, then rehearsed and performed in front of an audience at NYMF that same week.

BMI Workshop (2010 - 2011)

The following songs were written with various collaborators during my first year in the BMI workshop. Most of the assignments were very specific, making it impossible to use the songs in any other context, but were fun challenges to write nonetheless.

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